The Nikon Nikkor AF-S DX 12-24mm F4 G IF-ED is perfect for shooting just about anything. Optimized for DX-format cameras, this lens is an excellent choice for travel and establishing shots for HD video recording. Plus, it can be used to take landscape photos.
With the Nikon Nikkor AF-S DX 12-24mm F4 G IF-ED, you get HD videos and a lot more. It is convenient for shooting homes and the outsides of buildings. The AF-S DX Zoom-NIKKOR 12-24mm f/4G IF-ED offers a unique perspective and rich color images. If you need a wide angle lens, you will love it. The AF-S DX Zoom-NIKKOR 12–24mm f/4G IF-ED is lightweight and perfect for your next adventure.
The Nikon Nikkor AF-S DX 12-24mm F4 G IF-ED clearly offers superior performance. It combines a wider angle-of-view with optical characteristics that are optimized for advanced DX-format Nikon D-SLR camera sensors. There is a lot to like about this lens.
Another feature is the Silent Wave Motor. The lens comes with Nikon's Silent Wave Motor (SWM), which is one of the latest technologies. It uses ultrasonic vibrations instead of a gear system. This helps focus the lens and offers precise autofocus operation. It is an excellent addition for those who take a lot of photos and are seeking high quality results.
Plus, the Nikon Nikkor AF-S DX 12-24mm F4 G IF-ED features an optical glass produced by Nikon. It can be used with the normal optical glass and provides optimum correction.
With the NIKKOR lens, you have access to the focusing mode. It can be used to switch from automatic to manual focus minus the lag time. All you have to do is turn the focus ring on the lens. As a result, one can switch from manual focusing while at the same time looking through the viewfinder.
Only the internal lens shifts when focusing. As a result, the Nikon Nikkor AF-S DX 12-24mm F4 G IF-ED does not change in size, while it is being operated. This makes it more compact and it can focus closely on distance. The lens is designed with the symbols IF on the barrel.
Manufacturer: Nikon
ePHOTOzine lens tester, Gary Wolstenholme takes a look at the 12-24mm G ED lens from Nikon. As an innovative lens when it was released, can it hold its own against the new third party lenses?
Excellent sharpness; especially at 12mm; Light weight design; Good build quality; Decent flare performance with included hood
Strange distortion signature at 12mm may be troublesome to correct in software
The Nikon AF-S 12-24/4 delivers pictures with a dramatic wide-angle effect (18-36mm full-frame equivalent) on Nikon small-sensor digital SLR cameras such as the D40 and D300. The Nikon 12-24 is great for use in landscape photography, photojournalism and, to some extent, architecture.
Nikon's Nikkor AF-S 12-24mm has a constant f/4 through the zoom range. What Digital Camera's Nikkor AF-S 12-24mm f/4 G ED IF DX lens review sees if it's as good as buy as it seems...
Superb ergonomics
Slight softness at times
While I hope to create a full Nikon 12-24mm f/4G AF-S DX Lens, my first priority is to include results from this lens in the lens comparison tools available on the site. This page currently exists because it is required by the database and content management systems for me to post information and...
18-36mm lenses have long been many photographers' standard short zooms for full-frame shooting. Here's the equivalent of that range in a 1.5X 35mm lens factor for small-format digital Nikon SLRs only. Small DX image circle allows compact size with constant aperture.
Attached to the Nikon series of D-1 cameras this new 12-24mm zoom is just the ticket for those looking for a true digital wide angle lens. Scalloped hood is standard equipment and protects the lens from flare during normal shooting sessions.
Amongst the first of its kind, being a professional standard ultra-wide angle for DX format SLRs. Here we'll see whether the Nikon 12-24mm f/4 G ED-IF AF-S DX Nikkor can still hold its own.
Excellent sharpness; especially at 12mm; Light weight design; Good build quality; Decent flare performance with included hood
Strange distortion signature at 12mm may be troublesome to correct in software
Originally posted 2007-10-12 on Optyczne.pl It has been known for some time now that small dimensions of APS-C, DX or APS-H class sensors with a really wide angle cause problems. It is not perhaps so visible if you move within the fields of view on the level of 70 degrees; practically from the very...
sharpness of images near the maximum relative aperture should have been better; high vignetting at all focal lengths; visible coma
Nikon's 12-24mm has a constant maximum aperture of f/4 through the entire zoom range, stopping down to f/22. On a Nikon D-SLR with a 1.5x focal length multiplication, it has a 35mm equivalent of 18-36mm, offering plenty of wide-angle coverage.
This is a fantastic lens. Not quite as wide as the 10-24mm but has less distortion and better quality lens. The lens is recognized by Lightroom (I have version 3) so it has an automatic setting to adjust the distortion in post processing, where as the 10-24mm did not.
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