Panasonic Lumix GH5S review
The GH5S delivers so much for filmmakers to get excited about. It’s a combination that can’t be found anywhere else, crammed into a compact body that’s weatherproof and easy to use. Looking at the alternatives, I don’t think there’s a better small camera out there for videographers and filmmakers right now: the GH5S is about £200 cheaper than the Sony A7S II (which offers 10-bit recording, similar levels of low light performance and better stills, but no 50/60fps 4K) and £2,000 cheaper than the Canon EOS 1D X Mark II, which are really the only models that deliver a similar set of features and functions. I strongly suspect the Sony A7S III (still unannounced, but almost certain to appear at some point in 2018) will offer a similar range of video features, but for now the GH5S is comfortably the movie king for its price point. It’s not a great stills camera though – the Sony A7S II, with its full-frame 12MP sensor, is much better in this area. In fact, Panasonic’s own GH5 is better at stills too. Steer clear if that’s a concern, but if you’ve only got eyes for video, they should be fixed firmly on the GH5S.
Incredible 4K HDR video, 60fps recording; Great low light performance; Compact build;
Average stills performance;