Sony 50 mm f/2.8 Macro
A classic fixed focal 50 mm lens is quite a simple optical construction, usually consisting of 5-6 elements. In the case of the1.7/50 model, produced by Minolta, it used to be 6 elements in 5 groups.
very good image quality starting up from the maximum relative aperture; negligible distortion; well-corrected coma and astigmatism; exemplary work against bright light; correct work of autofocus; good quality of barrel
a bit too high vignetting by f/2.8; chromatic aberration at the maximum relative aperture could have been lower