Nikon Nikkor AF-S 16-35mm F4 G ED VR
$1,049.00 - $2,149.99
Reviews
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17 years ago
Nikkor AF-S 16-35mm f/4 G ED VR (DX) - Review / Lab Test Report
On our 10 MP DX test camera, the Nikkor AF-S 16-35 VR is a very good wide-angle to normal zoom lens that shows excellent resolution in the center and very good border and corner sharpness at most focal length and aperture settings.
16 years ago
best ultrawide zoom out there
This is Nikon's best and sharpest ultrawide zoom, even better than the beastly 14-24mm. It is sold out and backordered everywhere. The sale price is excellent and you should get yours before they sell out!
Pros:
- sharp
- sharp
- sharp
Cons:
- nothing
16 years ago
The Nikon AF-S Nikkor 16-35mm 1:4G ED VR, announced in February 2010, has the distinction of being the world's first ultra-wideangle lens to feature optical image stabilization. It's designed primarily for use on full-frame DSLRs, as a less-expensive alternative to the likes of the 17-35mm 1:2.8D or...
Pros:
- Very high image quality on both DX and FX formats
- Excellent build quality with dust and moisture sealing
- Highly effective optical image stabilization
- Fast
- silent autofocus with manual override
Cons:
- Huge barrel distortion at 16mm on FX cameras
- Relatively big and heavy for its class (larger than many F2.8 wideangle zooms
- Slightly inelegant flare handling
16 years ago
AF-S Nikkor 16-35mm f/4G ED VR Lens
The AF-S Nikkor 16-35mm f/4G ED VR lens provides a lower-priced (though still expensive) alternative to Nikon's other wide zoom lenses, which are a full f-stop faster. Designed to meet the performance demands of the company's FX sensor DSLRs, it is also fully compatible with DX-format cameras and...
Pros:
- You want an ultra-wide zoom lens for landscape or architectural photography
- You require professional performance and build quality at an affordable price
- You want high resolution at all focal lengths
- along with good flatness of field
- You'd like built-in image stabilisation
- You'd like a lens
16 years ago
good walk around lens
Yes, I would recommend this to a friend
Pros:
- Light Weight
Cons:
- none
16 years ago
Nikon AF-S 16-35mm F/4G ED VR Lens Review
The lens many Nikon photographers have been waiting for, an ultra wide-angle professional quality zoom lens with a constant aperture of F/4, Nano-Crystal lens coatings and Vibration Reduction.
Pros:
- Good all-round resolution performance
- Lighter than f/2.8 lenses
- Accepts 77mm filters
- Vibration Reduction
Cons:
- Barrel distortion at 16mm
- Vignetting at 16mm
15 years ago
Nikon AF-S 16-35mm f/4G ED VR Review
This new lens, the Nikon 16-35mm, is the world's first ultra-wide zoom to offer vibration reduction (VR-II) technology. The What Digital Camera Nikon AF-S 16-35mm f/4G review finds out how it fares
Pros:
- Stunning optical quality
Cons:
- Slippery barrel finish
15 years ago
Nikon AF-S 16-35mm f/4G ED VR Review
The most obvious thing about this lens, however, is its quietness: it really is virtually silent in AF mode. It is also very quick and focuses both accurately and reliably. Manual intervention can be used in AF mode but there was no occasion when it was needed during testing.
Pros:
- Stunning optical quality
Cons:
- Slippery barrel finish
15 years ago
Nikon 16-35mm f/4G AF-S VR Lens
While I hope to create a full Nikon 16-35mm f/4G AF-S VR Lens, my first priority is to include results from this lens in the lens comparison tools available on the site. This page currently exists because it is required by the database and content management systems for me to post information and...
15 years ago
Nikon AF-S Nikkor 16-35mm 1:4G ED VR review
Nikon's 16-35mm F4 VR is the first true wide zoom to sport optical stabilization, but thankfully doesn't compromise imaging performance to do so. It's an excellent choice particularly for full frame users, but you do need to be aware of its pronounced barrel distortion at wide angle.
Pros:
- Users of full frame Nikon SLRs looking for a wideangle zoom that's less expensive and more portable than the existing F2.8 options.
Cons:
- Architecture and interiors (due to distortion at 16mm), DX users (due to limited range)
4.6
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