Having watched one of their main rivals, Sigma, garner all the recent plaudits with their popular range of Art lenses, Tamron have responded with the premium quality 35mm and 45mm f/1.8 SP prime lenses.

If you've always wanted your 50mm prime lens to be just a little bit wider, Tamron has you covered. Its SP 45mm f/1.8 Di VC USD ($599) has a focal length that almost matches the true normal diagonal of a full-frame camera sensor (43mm).

Very sharp; Minimal distortion; Wide maximum aperture; Optically stabilized; Good close focus capability; Weather-sealed design; Available for Canon, Nikon, and Sony SLRs

Shows color fringing; Edge performance isn't as strong as center; Heavy for its size

This standard lens from Tamron sports a fast f/1.8 maximum aperture, silent internal focusing with full time manual override, Vibration Compensation, moisture resistant construction with eBAND and BBAR lens coatings to help suppress ghosting and flare and a special moisture repellent fluorine...

Very good sharpness; especially in the centre; Good build quality; Effective Vibration Compensation system; Moisture resistant construction; Low distortion; Close focusing for a standard; non-macro lens

May be priced a little high at launch

If you've always wanted your 50mm prime lens to be just a little bit wider, Tamron has you covered. Its SP 45mm f/1.8 Di VC USD ($599) has a focal length that almost matches the true normal diagonal of a full-frame camera sensor (43mm). It's quite sharp, offers optical stabilization (a rarity in this type of lens), and a sealed design for use in rainy or dusty environments. But like its SP 35mm ($559.00 at Amazon) sibling, chromatic aberration is an issue. We're sticking with the Sigma 50mm F1.4 DG HSM Art ($798.00 at Amazon) as our Editors' Choice for standard-angle SLR lenses, but that doesn't mean you should ignore the Tamron. It's less expensive and the stabilization system is a boon for photographers and videographers alike—just be prepared to deal with some color fringing. DesignThe SP 45mm ($559.00 at Amazon)  measures in at 3.6 by 3.2 inches (HD), a bit larger than most 50mm f/1.4 lenses, and is heavy for its size at 1.2 pounds. It supports 67mm front filters and include...

The Tamron SP 45mm f/1.8 Di VC USD is a sharp, stabilized standard-angle lens, but color fringing can be an issue at wide apertures.

Very sharp; Minimal distortion; Wide maximum aperture; Optically stabilized; Good close focus capability; Weather-sealed design; Available for Canon, Nikon, and Sony SLRs

Shows color fringing; Edge performance isn't as strong as center; Heavy for its size

Want some attention in this DSLR lens-filled world? Introducing a record-setting lens has been a popular business strategy lately and Tamron is once again putting their name in the record books with the Tamron 45mm f/1.8 Di VC USD Lens.

Tamron's new SP AF 45mm f/1.8 DI VC USD prime lens has few rivals, being slightly wider than a standard 50mm focal length, having a fast (f/1.8) maximum aperture and including weatherproof sealing and integrated stabilisation.

A new era begins for Tamron as the company famous for its zooms moves into the premium fixed-focal-length lens market. Damien Demolder tests the first, a 45mm fast standard.

So why do we use 50mm as a standard? Well, it doesn't really matter, but the maths does explain why Tamron is touting this unusual focal length as a standard for full-frame users. The company isn't the first, either, as Pentax offers a rather nice 43mm f/1.9, and has done for some time.

We have it in our heads that 50mm is the standard focal length for 35mm format, and it has been for years. The rule is that the length of the diagonal of the frame, of film or sensor, is the focal length with the ‘normal' angle of view, and that's what makes our standard focal length.

My salesman Frank Brown went over and above the level of service I expected from a mail order company. This is my second Nikon lens purchased in the last 12 months and I can truly say that I will shop nowhere else.