The Fujifilm X-H1 is the new flagship in the mirrorless X-series. It takes the X-T2 with its 24 Megapixel APSC X-Trans III sensor and adds built-in stabilisation (a first in the X-series), a touch-screen, tougher build, a bigger grip, enhanced movie features, a more detailed viewfinder, and...

FUJIFILM X RAW STUDIO enables photographers to quickly and easily convert RAW files with outstanding image quality, once a camera is connected to a Mac or PC via USB cable. Exceptional image quality is retained, as the FUJIFILM X RAW STUDIO system utilizes the X-Processor Pro in the camera instead...

The Fujifilm X-H1 is a great camera for shooting videos thanks to its variety of resolutions, frame rates, bit rates, film simulations, and aspect ratios, not to mention 5-axis IBIS and features like F-Log.

Intended and designed for videographers and filmmakers, the X-H1 can shoot 4K video and offers a number of shooting modes, aspect ratios, and slow motion options; It also has the 5-axis in-body image stabilization (IBIS), the cinematic Eterna film simulation, and an F-Log Gamma option for wider...

One of the biggest letdowns we found in the X-H1 is its autofocus; It's not that it's bad, but for the price, we expected more; In fact, shooting a moving subject at AF-C almost always yields more than a couple of unfocused shots.

Until now, the Fujifilm X-series has boasted two flagship models, the hybrid rangefinder X-Pro 2 and the DSLR-styled X-T2 . Now, however, they find themselves playing second fiddle to the X-H1 which takes its rightful place at the top of the range.

Good handling; Practical controls; Top-level performance

Large and heavy body; Not the best autofocus

The loss of the Exposure Compensation Dial was a bit oversight, but the location of the Q-Quick Menu button is a constant bugbear. Wish I had waited for the lighter, better designed XT-3!

Build quality

Bulky

I must confess, I am a huge fan of the Fuji X-H1. In fact, when compared to all other APS-C cameras out there, I would say the X-H1 has the best balance of image quality, ergonomics and features, rightfully earning its title as the top APS-C mirrorless camera on the market.

In-body image stabilisation is far from a new thing, so perhaps we shouldn’t give Fuji too much credit for including it here. Then again, what may be a small step for most mirrorless cameras represents a giant leap for the X-Series. Without it, the X-T2 was our favourite premium compact system camera; with it, the X-H1 is, well, even better than that. The other upgrades here, from the touchscreen to the higher-res viewfinder to the extra video capabilities, are all worth having, if not exactly game-changing. But the IBIS is exactly that. Yes, other cameras might already have it, but they don’t also have Fuji’s mastery of colour and autofocus to go with it. OK, so the payoff for the new tech is a bigger body, but if you’re the kind of pro or serious amateur who owns several hefty lenses, that won’t bother you. And let’s face it, if you’re a pro you can afford an X-T20 as a smaller back up anyway. Ultimately, Fuji has here crafted a wonderful all-rounder that masters almost any situation and could easily last you for years. Or at least until it releases something even better in 2019.

Image stabilisation works wonders; Superb stills; Video now among the best;

Bigger body won't please everyone; Trigger-happy shutter button; Pricey;

Fujifilm has created a worthy top-tier entry to its mirrorless X-series line-up with robustness, great image stabilisation and image quality. However, it can't surpass the Panasonic G9 in terms of ease-of-use, video and autofocus.

Excellent image stabilisation (although it's lens dependent for the best performance); Great image quality and detail potential (lens dependent); Robust build quality with full manual controls at your fingertips; LCD top plate is a rare sighting on a mirrorless camera; Large and capable viewfinder; Tri-variable LCD screen;

Smallest autofocus size has issues acquiring focus; Auto white balance and auto exposure sometimes off the mark; No 3.5mm headphone jack without the battery grip; Battery life should go further; No image quality improvement over X-T2; Panasonic G9 has greater video smarts;

Essentially an update of the 2-year-old X-T2 -- the body's been refined and the feature set expanded for the cinema-shooting crowd -- the X-H1 has the distinction of being Fujifilm's first camera to incorporate sensor-shift image stabilization. It's more than late to a party where Sony, Olympus and Panasonic have already fallen asleep on the couch. But better late than never, and its five-axis, five-stop system is certainly a welcome upgrade to one of Fujifilm's best.

In its new flagship APS-C model, Fujifilm's the last of the mainstream mirrorless camera makers to drift from optical stabilization to sensor shift.

The X-H1 is a camera able to adapt to a wide variety of shooting situations, with excellent image quality, very good video performance and solid autofocus performance. As usual, the camera's color in its JPEGs and movie footage is one of the highlights. Our only real concern is the camera's failure to excel in any respect, especially in the light of the competition available at this price.

Someone looking for a video/stills all-rounder;

Anyone looking for the perfect tool for one specific job;