Still learning the new lens. It is a larger heavier lens but it what I expected. It shoots at a uniform 2.8 no matter the zoom which will make it perfect for work in low light situations like weddings and in shooting sports like high school football on poorly lighted fields and in basketball in high...

Consistent Output; Durable; Easily Interchangeable; Fast / accurate auto-focus; Strong Construction

Heavy

I didn't know what to expect with this lens after reading the reviews. I am happy with its performance and quality. I have used it handheld with excellent results and performance. Anyone looking for a lens that does it all will love this lens.

wildlife; architecture; weddings

I have this lens with my 450d. Use on sports & motorsport no IS is great & f2.8

Gary Wolstenholme reviews the Canon EF 70-200mm f/2.8L USM lens. Although lacking stabilisation, is it an ideal alternative for those on a tighter budget?

Good value; Excellent Build Quality; Very good sharpness in the centre of the frame; Fast focusing

Loss of sharpness towards the edges of the frame; Falloff of illumination towards the corners at 200mm

Daniel Lezano puts this Canon telephoto through its paces Guide Price: £1,540 / Street Price: £950 Construction: 18 elements in 15 groups Maximum aperture: f/2.8 Minimum aperture: f/32 Filter thread: 77mm Angle of view: 34º – 12º No.

I used this lens for a couple of hundred test shoots over the last week. I tested it under following condition.

Camera Canon Rebel T2i

shooting conditions:

1. bright light - very well handling and crisp shots specially with low ISO settings.

Consistent Output; Fast / accurate auto-focus; Strong Construction

Heavy

The Canon 70-200mm f/2.8L is a top professional lens, with optics and mechanics designed for a lifetime of heavy service while delivering top optical performance. It's a bargain today because it's been in Canon's catalog since 1995, not because it's any less well made than Canon's newest Canon...

Well, what to say. this lens is absolutely worthy of its L stamp. There is always a choice to make for anyone looking at the 70 200 L group of lenses. what i would say, is, regardless of whether you choose the f/4 or f/2.8, ensure you get an image stabilised version.

+ image quality; build quality; IS; AF

really none; unless you can afford and warrant the 2.8 IS II

The only portait lens you'll ever need. I have no need to spend an extra $1200 for I.S., because I use a T.R.I.P.O.D. I can count eyelashes on every exposure.

Durable; Nice Bokeh; Rugged; Sharp

Heavy

"This is my first L lens. I've had it about a year now. I love the 2.8 aperture throughout the range. Its my favorite lens I own. If your thinking about getting this lens, don't' hesitate. You won't be disappointed. If you have an extra $1000 get the IS version.