It should be clear by now I'm very fond of the OMD EM5 Mark II. It improves on two bodies I already liked a lot, taking the best of both, improving some aspects and adding more besides.

Small weatherproof body with great controls; Fantastic built-in stabilization works with any lens; Big; detailed viewfinder and fully-articulated touch screen; Fast accurate focusing with great face and eye detection; Built-in Wifi with powerful mobile app.

Native image quality similar to previous models; 40MP mode requires specific conditions and lenses to shine; Continuous AF becomes less confident with fast subjects; Timelapse and miniature movies encoded at low frame rate; Slow wakeup when Quick Sleep is enabled

Existing Olympus Micro Four Thirds owners should upgrade to the E-M5 Mark II, while new buyers should put it on the shortlist. It's that excellent.

High-quality stills and videos; Five-axis image stabilization; Superb high ISO handling; 40-megapixel photo mode; Highly customizable

Menu system and controls slightly clunky to use; Flash not built in; No 4K support

It may not be a large and bulky digital SLR, but the Olympus OM-D E-M5 Mark II is a heavy hitting camera that's designed especially for those of you who desire advanced controls -- controls of the sort that can tailor almost every single aspect of your photographs before you even transfer them to a...

Crisp image quality; Advanced controls and highly customisable; High quality EVF

Left-hinged screen feels unintuitive on this camera

Basically, it plays piggy in the middle to the more expensive OM-D E-M1 and the cheaper E-M10 II, so you can pick one up for just over $1000.

The Olympus OM-D E-M5 Mark II ($1,099.99, body only) is the long-awaited follow-up to one of our favorite mirrorless cameras , the E-M5 . The Mark II builds on its predecessor's features, adding Wi-Fi, improving image stabilization, and adding an innovative high-resolution image capture mode.

Compact; Quick 10.4fps burst rate; Sharp EVF; Vari-angle touch-screen LCD; Excellent control layout; 40-megapixel High Res mode; In-body image stabilization; Weather-sealed design; Large lens library; PC sync socket; Wi-Fi

Limited shots per burst; High Res mode requires sturdy tripod and static subject; Subject tracking disappoints; Omits built-in flash; Lacks 4K support

The Olympus E-M5 II is a more significant reworking of its predecessor than its looks or choice of sensor seem to suggest. The camera boasts a wealth of additional features and refinements to many of the existing ones have been upgraded.

Very good image quality - good dynamic range and color; Extensive and customizable external controls; Excellent build quality and sense of solidity; Class-leading image stabilization - also available for video recording; Broad set of features to support video shooters; Clip-on flash can be rotated...

Low resolution by contemporary standards; Complex menu system and extensive customization options can be overwhelming; Video output not as detailed as it could be; Default autofocus settings limit camera performance

Even without the 40MP mode, all sorts of the little changes and refinements have been made, compared to its predecessor to make it a nicer camera to use. The movie specification have been significantly boosted hence the device makes a solid video camera.

I've always babied my Olympus. Recently the camera body does not recognize any of the lens I own. When it does connect it is intermittent and impossible to capture a decent shot as it fades in and out of a state where a photo can be taken. Autofocus is nonexistent.

I bought this camera with the 17mm f1.8 as a kit while traveling through different Asian countries, for this trip, I took with me only an old and "dusty" Ricoh GR (who died a few months later).

The E-M5 Mark II is the first professional Olympus Micro Four-Thirds camera to enter its second generation. Even though it falls in the middle of the OM-D family, the E-M5 Mark II has an incredibly rich feature-set which almost matches the flagship E-M1 reviewed here Olympus OM-D E-M1 while offering...

Excellent image quality; Very good metering; Reliable Automatic White-Balance; Superb built-in stabilization; Virtually no shutter-lag; Fast contrast-detect AF; Fast shot-to-shot speed; Very responsive; Excellent automatic Manual Focus Assist; Good build quality

Poor color accuracy; Strong anti-alias filter; Not always Exposure-Priority and frequently wrong Live-Histogram; 1080p @ 60 FPS has recording 8s limit; 1s filming delay; Weak LCD hinge; Uncomfortable eyelets; Short battery-life