Slender: The Arrival is the definition of a one-trick pony. But it's a mangy-looking pony, and it isn't especially good at its trick. It is a shaky start for a series that hasn't left me all that excited for any sequels.

Atrocious glitchy and buggy trash, shame on you "developers". Appalling games like this are going to ruin the reputation of xbox one - glitches almost constantly, everything about it is just wrong - I am sure my 10 year old daughter and geriatric cat could have done a better job between them - don't...

is teeming with vile racism and horrific violence, but none of its distressing moments are as unsettling as its ability to make these extremes feel normal. A pulpy revenge tale set in an ersatz 1968 New Orleans, it drags players into an unceasing spiral of death and destruction so monotonous that...

Mafia III nails the cinematic 1960s: crime families slicing apart a city that eats its young, cars fishtailing and sliding across streets, cops gathering at bars and donut shops, loyalty for sale to the highest bidder.

Shadow Warrior 2 proves that bigger is better, longer is better, more Wang is better and delivers in every single department with epic confrontations and loads of long-lasting replayable gameplay.

Playing Slender: The Arrival is a fun experience for people familiar with the stories surrounding Slender Man. I had a prior knowledge myself, so getting into the game was a little easier. I suspect though, that people unfamiliar may have a hard time getting into the almost nonexistent story.

Told in flashback by Father James Ballard, and mixing in game action with FMV scenes, the year is 1968 and you're in New Orleans… or rather, New Bordeaux, as it's called, here. You take the role of Vietnam veteran Lincoln Clay, taking control of protection rackets as you lead the way in organised...