For most of us, the TL2 is like a limited edition concept car – a vision of the future with features that will hopefully trickle down to cameras that won't tempt us into bankruptcy. There's certainly lots to love, and for other camera makers to learn from. Even if you're dubious about touchscreen controls, the TL2 might just convince you that they can be the mission control of a 'serious' camera. Like any gadget that's as concerned with its looks as the TL2, there are compromises. It's a shame there's no built-in viewfinder and the lack of a tilting screen is, if aesthetically understandable, annoying in practice. Depending on your taste, you might find unedited images to be a little on the muted side compared to something like the Fujifilm X-T2, though there's certainly no lack of detail. Then there's the price. The TL2 is in a strange spot because photographers who traditionally spend upwards of £3000 on a camera (with a lens) are pros, but the TL2 isn't really for them. It's for well-heeled enthusiasts who want lots of control (but not necessarily lots of controls) from an incredibly desirable CSC-smartphone hybrid. As always with Leica, there are more sensible choices. But one of the best things about having the financial clout to buy a TL2 is (we imagine) surely not needing to be sensible.
Incredible build quality; The best camera touchscreen system around; Very fast autofocus and menus;
Your wallet has gone into hiding; JPEG colour saturation feels a little muted ; No built-in viewfinder; Screen doesn't move or tilt;