The Apple iPhone 14 is no match for the just-released iPhone 14 Pro, but if you ignore that, it’s one of the most effective phones around.

Great cameras, front and back, Fast performance, Good battery life, Innovative safety features

Design too familiar, Some average features

“The iPhone 14 isn't a huge upgrade compared to its predecessor. But with a great design, screen, performance, and cameras, that's far from a bad thing at all.”

Comfortable, high-end build, OLED screen looks fantastic, A15 chip performs great, Good camera upgrades, Dependable battery life, Helpful safety features

60Hz display, No telephoto camera, eSIM might be a pain for some

The iPhone 14 isn’t much of an upgrade over the iPhone 13, but it’s still a great device and an upgrade for anyone coming from the iPhone 11 or older.

Great camera, Good battery, Emergency features are cool, Still excellent performance

Display could use some upgrades

Apple has given select media outlets and YouTubers access to the new iPhone 14 ahead of when it begins arriving in customers' hands on Friday, September 16. There are two models of the ‌iPhone‌ 14, the standard 6.1-inch ‌iPhone‌ 14 and the larger 6.7-inch ‌iPhone‌ 14 Plus.

If you are looking for an extremely sharp ultra-wide angle zoom lens, the Canon EF 16-35mm f/4L IS USM Lens should be at the top of your consideration list. This lens delivers prime-grade image sharpness right into full frame corners and it has the overall performance to match, including AF speed...

Good extreme wideangle zoom lenses for full-frame cameras are not easy to find. Damien Demolder tests Canon's latest to see if it is up to the job

This new ultra-wide angle zoom lens should replace Canon's venerable 17-40mm f/4L optic in their line up of professional lenses. It sports a zoom range of just over 2x and a constant maximum aperture of f/4.

Canon's EF 16-35mm f4L IS USM is an ultra-wide zoom that's compatible with full-frame DSLRs. It's the successor to the EF 17-40mm f4L USM, losing a little on the long-end, but gaining a tad on the important wide-end, while also adding the benefit of image stabilization.

You could forgive most photographers for thinking that a 16-35mm lens would be intended for less-than-full-frame cameras. After all, a focal range such as this would provide a sensible, if slightly odd, 25-56mm on an EOS EF-S APS-C body.

The 16-35mm ƒ/4L IS USM occupies an interesting niche in Canon's line up of wide-angle zoom lenses. Some may question the usefulness of having IS on a wide-angle lens, but it does come in handy both for movie-making, and for when you don't want to lug around a tripod.